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World Wide Suicide

Summary

World Wide Suicide is Pearl Jam’s furious anti-war broadside and the lead single from their 2006 self-titled album. Released digitally on March 14, 2006, the song debuted at #1 on Billboard’s Modern Rock Tracks chart—Pearl Jam’s first chart-topper since “Who You Are” a decade earlier—and spent three weeks at the summit. It also became the first digitally delivered #1 song in Canadian radio history.

Key Details

AttributeDetails
AlbumPearl Jam (2006)
Track Number2
Release DateMarch 14, 2006 (digital single)
Duration3:29
WriterEddie Vedder
ProducerAdam Kasper
Chart Performance#1 Modern Rock (3 weeks), #2 Mainstream Rock, #41 Hot 100
NotableFirst PJ #1 since “Who You Are” (1996); Rolling Stone #11 Best Songs of 2006
Live DebutSaturday Night Live, April 15, 2006 (first SNL since 1994)
Live Performances121 (per setlist.fm)

Background & Inspiration

The Pat Tillman Connection

Eddie Vedder wrote “World Wide Suicide” largely in response to the death of Pat Tillman, the NFL player who left a $3.6 million contract to enlist after 9/11. Tillman was killed in Afghanistan in April 2004; the military initially reported he died in combat, but it was later revealed to be friendly fire.

“It’s about him and a bunch of the guys who didn’t get as much coverage—the guys who barely got a paragraph instead of ten pages.”

— Eddie Vedder Entertainment Weekly

Political Intensity

Vedder didn’t mince words about the Bush administration:

“You’ve got an administration that does all this work that is covert and undercover. They willed the country to go to war. They lied to us on deep, criminal levels about WMDs. The times kind of demand a little bit of intensity.”

— Eddie Vedder Relix

He was surprised the song received radio play at all:

“I don’t think two or three years ago you could even get a song called ‘World Wide Suicide’ with the word soldier in it played on the radio.”

— Eddie Vedder Billboard


Lyrics & Meaning

The lyrics are among Pearl Jam’s most politically direct. Vedder opens with imagery of reading a newspaper—learning of another soldier’s death reduced to ink on paper. The title suggests a collective death wish, a world spiraling toward destruction through endless conflict.

The chorus—“World wide suicide”—functions as both accusation and lament. It suggests the Iraq War is civilizational self-destruction, with young men dying for unclear purposes while the world watches.


Composition & Production

Musical specifications:

  • Key: A major (performed in Eb tuning)
  • Tempo: ~147 BPM
  • Duration: 3:29

Studio: Studio X, Seattle, Washington Recording Period: February 2005 through late 2005 Producer: Adam Kasper

The production is deliberately raw, stripping away polish to let the song’s urgency come through. There’s minimal overdubbing; what you hear is essentially the band playing together in a room. Critics noted that the album “gives the feeling that the listener is standing in the same room with the band” AllMusic .


Music Video

Director: Danny Clinch

The video intercuts two elements: the band playing at Studio X in Seattle, and a 24-year-old Chilean contact juggler named Sebastián González, filmed at San Carlos de Apoquindo Stadium in Chile during Pearl Jam’s South American tour Wikipedia . The juxtaposition creates artistic contrast—the band’s aggressive performance against González’s meditative juggling. This was Pearl Jam’s first concept video since the animated “Do the Evolution” in 1998.


Live Performances

MetricData
Public DebutApril 20, 2006, London Astoria
SNL PremiereApril 15, 2006 (first SNL since 1994)
Total Performances121
Last PerformanceJanuary 31, 2014, Big Day Out Adelaide

Between March 7-12, 2006, the song was played over 1,900 times on modern rock stations. The song was a setlist staple during the 2006-2007 touring cycle. After 2014, it fell out of regular rotation.


Personnel

MemberRole
Eddie VedderLead vocals, rhythm guitar
Stone GossardRhythm guitar
Mike McCreadyLead guitar
Jeff AmentBass
Matt CameronDrums

Production: Adam Kasper


Context

The song arrived during a period of intense anti-war sentiment in America. It was named #11 in Rolling Stone’s “The 100 Best Songs of the Year” for 2006—remarkable for a politically charged protest song.

  • “Do the Evolution” (Yield): Political rocker with animated video
  • “Bu$hleaguer” (Riot Act): Earlier direct political commentary
  • “Army Reserve” (same album): Another Iraq War-era protest song